Time floats seamlessly in Marczak’s film. Figuring life out and falling in and out of love is merely a part of it. The twenties are mostly about a lot of things. Playing himself, Krzysztof Baginski is Marczak’s trigger point into the lucid dreamlike life of the young. In the film, two polish twenty-something are seen fleeting through Warsaw trying to fit into the vibrant youthful malice where loneliness feels like a curse. Especially the part where they turn onto one another as we grow up just a little bit. On the onset itself, we understand and remember how most of the memories of our lives are from the part of our adolescence.
Which fits right into the kind of dramatic arc that the director aims for. While there’s a ton of written drama, the narrative echoes right on the edge of being preachy and being absolutely life-like. Marczak presents these trivial moments in the most hypnotic form of docu-fiction format you can imagine. Looking back at my life, the most trivial things have been the real life-altering moments. But as Marczak, himself puts it – the film captures the essence, the vibrancy, the craziness and splendor of youth. If you look at the film in all it’s actuality, it might seem like a meandering exercise into nothing. The entire monologue, though not life-changing or even philosophical, somehow sums up everything about the youth of today. We get to know that a person spends 700 hours in his life waiting for something to happen. We then see Baginski sink his teeth into the facts on hand. A celebration of what? We don’t really know. He is standing in the middle of his apartment looking at the wideness of Warsaw in celebration. Michał Marczak’s “All These Sleepless Nights” opens with a monologue by its subject – Krzysztof Baginski. LinkedIn All These Sleepless Nights – Partying Hipsters & Dancing Realizations.Maybe you’ll be too tired for it, maybe you won’t, but it’s still a sensation that’s almost impossible to replicate without actually living through it, and the fact that Marczak pulls it off is a feat in itself. The carelessness that comes with youth is a little exaggeratedly true here, insomuch as Krzysztof and his friends don’t have the end of summer to mark the finishing point of their adventures it’ll go on for as long as they can manage it, without worrying about work or money or touching on the class drama that made American Honey particularly striking.Īll These Sleepless Nights is an hour and forty minutes of staying out too late. The worst is that - for all that those senses are universal - the narrative is still a specific one. The best thing I can say about it all is that it feels true to life there’s no easy way to explain the beginnings and endings of relationships, nor any easy way to navigate them. There’s his best friend Michal (Michal Huszcza), and Michal’s current and Krzysztof’s soon-to-be girlfriend Eva (Eva Lebuef), who are pulled in and out of his life like comets, sometimes passing through, sometimes colliding.
#All these sleepless nights movie
Krzysztof Baginski (as himself) is the planet around which the rest of the movie orbits. In other words, it’s all about the experience of getting from one point to the other, not the ground that was covered. Life doesn’t move in clearly delineable or necessarily satisfying patterns, and while there’s an arc to the movie, the difference between Point A and Point B is negligible.
This isn’t a comment on the love story that forms the crux of the narrative, but rather a symptom of the film’s place halfway between drama and documentary.
#All these sleepless nights full
Beyond the way Marczak can tap into sensation through motion and sound (as well as full beats of darkness between shots), there’s not too much by way of a story. The movie opens with this card: “Reminiscence Bump (in psychology): The tendency of our minds to hold onto a greater number of memories from adolescence and early adulthood than any other period of our lives.” How much you enjoy what comes next will largely depend on how much time you’re willing to spend with those memories. It’s an object of sense memory, moments and sequences that evoke the feeling of carefree youth.
All These Sleepless Nights, directed by Michal Marczak, performs a similarly delicate balancing act. American Honey is the last movie that tapped into this feeling with success it’s not happiness without strings attached, and it’s not happiness that’s permanent, but it’s the last time (or so it feels) that that happiness will be uncomplicated. But still, here and there, there are halcyon days that are irreplicable once “adulthood,” as it were, kicks in. I almost never hear anyone talk about high school fondly, and movies about high school and college are typically about the trials and tribulations that come with trying to fit in and feeling out one’s independence. The popular stereotype is that growing up is hell.
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